Nikon 60mm f/2.8G ED AF-S Macro Nikkor Review

Nikon 60mm f/2.8G ED AF-S Macro Nikkor Performance

At maximum aperture, the lens already produces images with very good sharpness in the centre on the frame, with the quality towards the edges approaching good levels.

Stopping the lens down improves quality across the frame until f/5.6, where the sharpness in the centre is outstanding and the clarity towards the edges of the frame is excellent. At smaller apertures, diffraction reduces resolution across the frame, but results are still good at f/22.

Nikon60mm28MTF
MTF at 60mm
 

How to read our charts

The blue column represents readings from the centre of the picture frame at the various apertures and the green is from the edges. Averaging them out gives the red weighted column.

The scale on the left side is an indication of actual image resolution. The taller the column, the better the lens performance. Simple.

For this review, the lens was tested on a Nikon D700 using Imatest.

Chromatic aberrations are extremely well controlled at all apertures and across the entire image area. At its very worst fringing just exceeds 0.4 pixel widths in the centre of the frame at apertures smaller than f/11. This low level of fringing should be virtually invisible, even in large prints.

Nikon60mm28CA
Chromatic Aberrations at 60mm
 

How to read our charts

Chromatic aberration is the lens' inability to focus on the sensor or film all colours of visible light at the same point. Severe chromatic aberration gives a noticeable fringing or a halo effect around sharp edges within the picture. It can be cured in software.

Apochromatic lenses have special lens elements (aspheric, extra-low dispersion etc) to minimize the problem, hence they usually cost more.

For this review, the lens was tested on a Nikon D700 using Imatest.

Falloff of illumination towards the corners with this lens may be an issue for some photographers. At f/2.8 falloff is very pronounced on full frame, with the corners being 3.3 stops darker than the image centre. Visually uniform illumination isn't achieved until the lens is stopped down to between f/5.6 and f/8.

As might be expected from a fixed focal length lens, distortion is very well corrected. Imatest detected 0.439% barrel distortion, which is a very slight amount. If your application requires completely straight lines, this low level of distortion will be very straightforward to correct in image editing software afterwards, as the distortion pattern is consistent across the frame.

Nikon's Nano Crystal coating does an excellent job of reducing flare and retaining contrast, even in harshly contra-lit situations. The deep circular hood also does an excellent job of shading the front element, although it may need to be removed at close working distances to prevent it shading your subject.

Good sharpness is retained, even at small apertures  - 1/60 sec | f/16.0 | 60.0 mm | ISO 200
Good sharpness is retained, even at small apertures - 1/60 sec | f/16.0 | 60.0 mm | ISO 200
  Sharpness is outstanding in the centre at f/5.6 - 1/125 sec | f/5.6 | 60.0 mm | ISO 900
Sharpness is outstanding in the centre at f/5.6 - 1/125 sec | f/5.6 | 60.0 mm | ISO 900
As the front filter thread does not rotate, this lens is ideal for use with graduated filters - 1/400 sec | f/8.0 | 60.0 mm | ISO 200
As the front filter thread does not rotate, this lens is ideal for use with graduated filters - 1/400 sec | f/8.0 | 60.0 mm | ISO 200
  Falloff of illumination towards the corners can be quite pronounced at wide apertures - 1/125 sec | f/3.0 | 60.0 mm | ISO 1250
Falloff of illumination towards the corners can be quite pronounced at wide apertures - 1/125 sec | f/3.0 | 60.0 mm | ISO 1250
1/125 sec | f/10.0 | 60.0 mm | ISO 200
1/125 sec | f/10.0 | 60.0 mm | ISO 200
  1/125 sec | f/10.0 | 60.0 mm | ISO 320
1/125 sec | f/10.0 | 60.0 mm | ISO 320
1/125 sec | f/5.6 | 60.0 mm | ISO 400
1/125 sec | f/5.6 | 60.0 mm | ISO 400
  1/125 sec | f/5.6 | 60.0 mm | ISO 3200
1/125 sec | f/5.6 | 60.0 mm | ISO 3200

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