Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR

Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR
Gary Wolstenholme takes a look at this popular budget standard zoom, which is currently offered as the kit lens with the Nikon D7000 camera.

Costing only £230, this standard zoom from Nikon doesn't cost too much, but offers a useful 5.8x zoom range equivalent to 27-157.5mm on a 35mm camera. The lens also comes supplied as a kit with the Nikon D7000 and D90 cameras and is a popular lens as a result.

Alternatives within Nikon's range include their 18-200mm f/3.5-5.6 mark II, which costs around £550, but almost doubles the telephoto reach. Nikon's current lens line-up also includes their 16-85mm lens which extends the wide-angle view, at the expense of a little telephoto reach and costs around £420.

Alternatives from third party manufacturers include either of Sigma's 17-70mm lenses which offer a slightly wider angle but less telephoto and a brighter maximum aperture throughout the zoom range. The basic model costs around £250 and the model with Optical Stabilisation costs around £328. Sigma's 18-125mm with optical stabilisation may also be a suitable alternative costing around £250.

Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR: Handling and features
The design and build of this 18-105mm lens is typical of Nikon's mid range zoom lenses. The lens barrel is constructed from high quality plastics that have a textured finish to them that won't show marks or scratched too easily. The lens feels lightweight, but without feeling flimsy. The lens mount is also made of plastic, so care may need to be taken not to damage this while changing lenses. A large rubberised zoom ring fills the front half of the barrel and provides a good grip. The zoom mechanism is smooth throughout, not tightening up at any point in the zoom.

A slim focus ring is provided for manual focus adjustments, which can be applied at any time due to the inclusion of a Silent Wave Motor. Autofocus is reasonably quick in good lighting conditions, but slows noticeably when the light levels drop, especially at the longer end of the zoom. Still, for most purposes the performance in this area is more than adequate. Focus is performed internally and the 67mm filter thread does not rotate during focus of zooming, which should please users of polarsing and ND graduated filters.

Vibration reduction is included, which promises to allow sharp shots to be taken at shutter speeds three stops slower than would be possible without. At 105mm I was able to take sharp shots much of the time at 1/13sec, which is three stops below the shutter speed dictated by the usual rule of thumb to achieve a sharp shot at that focal length. With a little care I was able to stretch it to 1/6sec, getting sharp shots about half the time.

Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR: Performance
For a budget lens, Nikon's 18-105mm is a very decent performer. At 18mm the sharpness in the centre is already excellent, and the quality towards the edges is good. Stopping the lens down improves the quality towards the edges, with the best quality across the frame being achieved between f/5.6 and f/8.

Zooming to 50mm results in a slight drop off in performance, but at maximum aperture the sharpness is still very good in the centre and good towards the edges of the frame. At this focal length, peak quality across the frame is achieved at f/8, where images show very good sharpness from edge to edge.

Finally at 105mm, there is a further drop off in sharpness, but the centre resolution is still good in the centre a f/5.6 and acceptable towards the edges. At this focal length the lens needs stopping down to f/11 to achieve peak sharpness across the frame. Here the resolution is very good in the centre and good towards the edges.

Resolution at 18mm Resolution at 50mm
Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR Resolution at 18mm Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR Resolution at 50mm
Resolution at 105mm How to read our graphs
The blue column represents readings from the centre of the picture frame at the various apertures and the green is from the edges. Averaging them out gives the red weighted column.

The scale on the left side is an indication of actual image resolution. The taller the column, the better the lens performance. Simple.

For this review, the lens was tested on a Nikon D300 using Imatest.
Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VRResolution at 105mm

Lenses with a high zoom range like this often suffer with colour fringing around high contrast edges. The 18-105mm does show some signs of chromatic aberration, but the level should be largely acceptable, unless you are producing very large prints. At their worst they just exceed pixel-width when the lens stopped down beyond f/16 at 105mm.

Chromatic Aberrations at 18mm Chromatic Aberrations at 50mm
Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR Chromatic Aberrations at 18mm Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR Chromatic Aberrations at 50mm
Chromatic Aberrations at 105mm How to read out charts
Chromatic aberration is the lens' inability to focus on the sensor or film all colours of visible light at the same point. Severe chromatic aberration gives a noticeable fringing or a halo effect around sharp edges within the picture. It can be cured in software.

Apochromatic lenses have special lens elements (aspheric, extra-low dispersion etc) to minimize the problem, hence they usually cost more.

For this review, the lens was tested on a Nikon D300 using Imatest.
Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR Chromatic Aberrations at 105mm

Falloff of illumination towards the corners is not much of an issue with this lens. At 18mm and f/3.5 the corners are only 1.85 stops darker than the image centre. Stopping down to f/5.6 results in visually uniform illumination. At 105mm vignetting is a little more noticeable at f/5.6. Here the corners are 2.47 stops darker than the image centre and the lens needs to be stopped down to f/11 for visually uniform illumination.

Barrel distortion at 18mm is quite noticeable, but not overly disturbing. Here Imatest recorded a level of 6.24% barrel distortion. At 105mm there is only 1.62% pincushion distortion present, which should only pose an issue for highly critical applications. The pattern of distortion remains constant across the frame throughout the zoom range, making it easily to correct in image editing software.

Images taken with a Nikon D7000 - Click on the thumbnails for a high resolution image.
Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR @ 18mm   Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR @ 105mm
(Above) At 18mm the lens is capable of producing images with excellent sharpness.




(Right) It's no slouch at 105mm either, with images showing good levels of sharpness in the centre.



 
 

Pointing light sources in the frame may cause a little flare and certainly a loss of contrast, but even so this 18-105mm lens appears to be quite resistant to flare and ghosting. A petal shaped lens hood comes supplied, which does an excellent job of shielding the front element from unwanted light outside of the image frame.


DxOMark provides objective, independent, RAW-based image quality performance data for lenses and digital cameras to help you select the best equipment to meet your photographic needs.

Visit the DxOMark website for tests performed on the Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR.

Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR: Verdict
In most cases, budget zooms and kit lenses aren't all that exciting in terms of specification and performance. In this case the 18-105mm surprised me at the quality achievable, especially at 18mm and at optimum apertures throughout the range.

Those who don't need a faster maximum aperture, or larger zoom range should find this lens more than capable of delivering excellent results. For the price this lens is an excellent performer.

Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR
A great value lens capable of decent quality results.
Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR: Pros

Useful 'walkabout' zoom range
Decent optical performer
Very good value
VR performs well
Lightweight

Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR: Cons
AF noticeably slower at telephoto end of the zoom
CA at 105mm and apertures below f/11

FEATURES Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR
HANDLING Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR
PERFORMANCE Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR
VALUE FOR MONEY Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR
OVERALL Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR

Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR: Lens specification
Price £230.00
Contact www.nikon.co.uk
Filter size 67mm
Format DX
Construction 15 elements in 11 groups
Angle-of-view 76° - 15°20’
35mm equivalent focal length (on APS-C body) 27-157.5cm
Internal focusing Yes
Image stabilisation Yes
Minimum focus 45cm
Maximum aperture f/3.5-5.6
Minimum aperture f/22-36
Weight 420g
Size 76 x 89mm
In the box Lens Case CL-1018, HB-32 Lens Hood

The Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR costs around £230 and is available from Warehouse Express here:

Nikon AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR
By: keekimaru 792 days ago
Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens

Vibration Reduction minimizes effects of camera shake to produce sharper images

Brand New item

67mm 3 piece Filter Kit: Ultraviolet, Florescent & Polarizer
Lens Cap Holder

More Detail : http://www.amazon.com/exec/obidos/ASIN/B007X2XBKY/tipfla-20

More Review :
http://www.webcamerawebcamera.com/detail.php?id_detail=Nikon-18-105mm-f-3-5-5-6AF-S-DX-VR-ED-Nikkor-Lens-for-Nikon-Digital-SLR-Cameras-with-3-piece-67mm-Filter-Kit-%28Ultraviolet,-Florescent,-Polarizer%29-and-Lens-Cap-Holder---WHITE-BOX
By: pbaseccc 287 days ago
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Jack
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By: pbaseccc 280 days ago
Offset printing is a widely used printing technique where the inked image is transferred (or "offset") from a plate to a rubber blanket, then to the printing surface. When used in combination with the lithographic process, which is based on the repulsion of oil and water, the offset technique employs a flat (planographic) image carrier on which the image to be printed obtains ink from ink rollers, while the non-printing area attracts a film of water, keeping the non-printing areas ink-free.

Jack
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