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1102 lenses 428 MTF tests 74 in-depth photodo reviews 100+ users join each day Help the lens community by reviewing or rating a lens today via our lens search | Nikon 18-200 AF-S DX VR f/3.5-5.6 GPage 1 of 1: 1 This lens is Nikon’s entry into the comparatively new group of superzooms designed exclusively for cropped sensor cameras and carries the DX coding to signify this. We take a look at their efforts, which is the first to carry a stabilising device.
Build and handling On the left of the lens sits the control panel sporting three slide switches. They control, from top to bottom, the AF/MF, VR on/off and VR mode (normal/active). The Vibration Reduction system is the newer VR11 that Nikon claim is good for up to four stops of shutter speed reduction when hand holding and, although difficult to really measure, certainly seems to work. The active mode, employed for example while in a moving vehicle, certainly made the lens usable in those kind of conditions even on a bumpy road. The focussing is carried out internally, resulting in a front element that does not rotate during use and making the use of filters a simple operation on the 72mm filter thread. The build quality, torque and general feel of the lens are up to Nikon’s usual, very nice standard. Optical Quality The coatings that Nikon use on their DX lenses do help to keep down instances of flare and ghosting and, I am sure, contribute to the good contrast achieved. Shining a directional high power torch into the lens produced no scary effects.
Click on each comparision photo below to view full size versions Below is our lens test data. To find out how to use these graphs look at this article: How we test lenses
Verdict In summary, the positive points of the Nikon 18-200mm f/3.5-5.6 G ED VR are: The negative points are: Check the latest price of the Nikon AF-S VR 18-200mm f/3.5-5.6 G ED here Test by Ian Andrews www.wildaboutkent.co.uk The lens has some vignetting @200mm and F:5.6. @ F:6.3 or F:7.1 it goes away.
It is an excellent lens, serving me as a single lens for long trips. I see a color balance change between the 18mm and the 200mm pictures in the test, is that due to the lens when it zooms, or a white balance issue? I assume they have been taken at the same time?
Both the lenses I have tried had quite severe "creep". I guess I am lucky to have one at all! I read on this excellent site that the creep cannot be tightened or adjusted.
My dealer tells me they are all like this.The first one I had was very much less prone to creep. Can anyone help or advise? mckenz, Oxford UK Mine creeps too. I got used to it.
I have an early version of this lens, and it has no creep at all. It does, however, have what I would call a free-fall. This seems to increase as the temperature goes up, leading me to believe that they may need to make a change in the material they are using as a gaskett or seal.
When I got it, I took some seascapes to see how that would look. At wider focal lengths, I would compare the meeting of sea and air to the curvature you'd find on a stretched long bow. However, with all that said, it is a very nice lens, which I find sharp with digital, and produces great contrast for such a zoom; such that knowing all this, I'd still buy it for the convenience of an 18-200 focal length. I have decided to keep it on my new D-80 which I keep in the car, and to use other lenses with my D2X. I just purchased one of the inexpensive lens supports from India which I found on eBay. It's basically a steel bar with an adjustible screw topped by a rubber cushion. I intend to try it with the next use of the lens to see if it would be of any use at all with the creep. mckenz I had the D200 sensor cleaned by Nikon last week (still one very noticeable dark speck - am I too fussy?) The technician (not reception person) told me he could tighten the 18-200 zoom but very strongly advised against! Other helpful advice - on this camera and lens: only use VR when really needed. Thanks for replies mckenz Page 1 of 1: 1 Add your messageLogin required
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