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Specifications • Focal length 28-300mm Build and handling The apparent similarities are not surprising, as this lens was originally designed to cover a similar range on 35mm full fame cameras. It can still do so, as well a being a handy standard to ultra-telephoto lens that is still light enough to use as a walkabout lens when fitted on a crop dSLR! Add to that Tamron’s claim that it is a macro lens, which, although not true in the proper sense, does mean that it has a close focus capability, and it does have some attractive points. The zoom ring markings, at 28, 35, 50, 70, 100, 135, 200 and 300mm and a slightly coarser pattern on the two control rings are the only difference between the two lenses in the closed position, so I won’t go through it again. Optical Quality Nearly all of these types of lens get worse as they get longer, and this is no exception. However, this lens starts from a much higher threshold than it’s younger brother, producing very acceptable results at the wide end. Unfortunately it has lost all of this zip by the time it reaches its longer limit. Throughout the range, chromatic aberrations were a concern where contrasty subjects were encountered, although flare and ghosting did not prove a problem, even with strong backlighting. Distortions are kept down to mild barrel at the short end, going on to a slightly more severe pincushion at the long end. As usual, the lens is neutral through the mid range. Neither end is problematic with a little play in the editing suit though.
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Verdict In summary the main positive points of the Tamron AF 28-300mm f/3.5-6.3 XR Di are: Negative points are: Check the latest price of the Tamron AF 28-300mm f/3.5-6.3 XR Di here Test by Ian Andrews www.wildaboutkent.co.uk Page 1 of 1: 1 Add your messageLogin required
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